“…Judy Had Her Best Coffee” Mixed media Installation W51”xD43”x H34” 2008
“…Hannah Had Nowhere To Go” Plaster, wax and wood. W45”xD29”x H33” 2008
Pessi’s both latest series of works: "Calendars and Cells" and "When..." are dealing with Memory. Her preoccupation with the subject resonates in Luis Buñuel’s words: “...Memory is our amalgamating material, our mind, our emotions, even our actions. Without memory we are nothing”. Pessi is dealing with Memory’s identity defining quality, its illusiveness and “elasticity”. She is recovering memories as building blocks, recreating old situations and new made up ones by using family photographs along with bourgeois type of household elements. Each work is inspired by a specific moment – real or imagined - indicated through the title.
In “Girl - Woman – House” series Pessi explores different stages of life in search for Woman’s/ her own Identity definition. She uses domestic images in naïve and primal forms, and constructs environments which are at the same time whimsical and somber, confining and open-ended, defining and confusing.
“Chairs and bubbles” Oil and graphite on wood. 48”x48” 1994
“Two Girls And A House” oil and graphite on wood. 48”x48” 1997
“Don’t Go” oil and Graphite on wood. 15.5” x 15.5” 1997
Pessi Margulies acquired her art education at the Hebrew University in Jerusalem and in Tel Aviv with artists: Yair Garbuz and Rafi Lavi. She continued her education at the School of Visual Arts and New York University, where she studied art and psychology and received her Masters Diploma in art therapy.
Her work is in numerous private collections and has been shown in Israel and the USA. Pessi resides and works in New York since 1991.